A day before I leave the country. Finally. In Seattle on 15th, the sun is out. In the wrong places, in the right ones. Cars moving quickly down the street, like they know exactly where they're going, where they've been. I believe them only maybe. The wind in the trees says "summer," and then it stops. For reasons that seem to happen at the end of seasons, and in cities one is leaving, I find myself in need of Oppen, very much so. This, at the moment, means I also need the internet. Victrolas, a coffee shop like almost every other coffee shop, is full of little noises. Klink after klink of dishes in the sink, the grind of some machine that cuts the coffee into bits. And there are people here as well, a small cacophony of voices which swirl around the room, young and pretty people, better dressed than I am, and they are doing things, talking amongst themselves and/or staring at their computers. I too am staring at my computer, where Oppen is...
Of This All Things
There are the feminine aspects,
The mode in which one lives
As tho the color of the air
Indoors
And not indoors
Only—. What distinction
I have is that I have lived
My adult life
With a beautiful woman, I have turned on the light
Sometimes, to see her
Sleeping—The girl who walked
Indian style—straight-toed—
With her blond hair
thru the forests
Of Oregon
Has changed the aspect
Of things, everything is pierced
By her presence tho we have wanted
Not comforts
But vision
Whatever terrors
May have made us
Companion
To the earth, whatever terrors—
I need his work because for him, the self is only almost singular, which feels true at times, more so than it’s not true. Distinction, it seems, and even solitude, is made possible by other people. In this poem in particular, I like very much that there is another person there, or at least the promise of a person, the memory of Oregon and of forests where the woman walks, or used to, and the space that opens up and closes between two people. Though I wish she wasn’t blonde.
____________
In Victrolas, the voices that wrap around themselves are the voices of a city I doubt I'll soon come back to. We are walking in the wake of things, all of us together, all of us apart. When I take off tomorrow, I want to watch from the window of my plane the city of Seattle as she slowly and finally disappears. I want to see the ocean, and the sky as it becomes the ocean, adjacent shades of blue becoming singular, becoming nothing. I am trying to remember, trying to forget. How long will it take before I am incapable of seeing anything but clouds? The plane will feel like every plane. I'll close my eyes. My friends will be with me. And there, for a long long time, sleeping.
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